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Posts Tagged ‘letterpress’

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We just finished designing and printing letterpress business cards for a wonderfully talented new arrival to the Mendocino Coast. Karen McGrath brings many years of knowledge and experience in planning outdoor spaces in Redding, California, where her client base included residential and commercial property owners, contractors, architects, interior designers, and fans of every stripe. Her intelligent use of space and luxurious landscaping instincts will be put to good use in our cool, moist climate. She’s excited to work with our coastal cornucopia of cool weather loving plants.

And she loves her new Studio Z Mendocino letterpress cards like crazy:

MGC side view

We printed them on 600 gsm Lettra in a very deep, forest-y green ink, then foiled the word GARDEN in some kind of indescribable pale green metallic foil. You can see the gleam in the rather moody photo above.

The backs are printed in ink except one little botanical dingbat is done in foil:

back bc

The frosting on this delicious cake was a green edge, which perfectly matches the foil.

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MGC front photo

Deep, deep impression, super-thick paper, chic-but-slightly-whimsical typography, a bit of bling, a certain spirit in it: the cards describe Karen’s outgoing personality and gorgeous work. We aim for this effect, this matching what we do to graphically signal what you do with subtlety and verve, and are always gratified when we nail it for our clients. We feel lucky that Karen has chosen to move to the coast, too.

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gold edge cardsMonica Wellington’s impossibly fabulous SPLENDIFEROUS women’s clothing boutique, on Fort Bragg’s most fashionista-friendly Laurel Street, needed a new business card. The last one I had designed for her was a little bit funky (thick kraft paper), a little bit swoozy (ultra-wild typesetting), and had served its purpose well for several years.

IMG_0478Super cute, right?

Now, almost out of the old ones, she wanted something to match the way Splendiferous! had evolved over the ensuing years, to 2016. Monica wanted to keep the dandelion puff we’d always used, and she still loved “Splendiferous” spelled with an exclamation point in place of that “i,” in the middle, but it needed a new, sleeker, chicer, more uber interpretation that befit how the shop is now: Ultra-glorious.

2016 bc black front

Monica couldn’t make up her mind whether she loved white paper or black paper. Each gives off such a different vibe. So, of course, in line with my motto, If it’s worth doing, it’s worth OVER-doing: I printed her new designs on BOTH–half on white Cranes Lettra 600 gsm, and half on black super-thick, thick, thick, amazing Museum Mount papers, and then, of course, we gilded the lily…

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Oh, gee. What can you say? Gold, metallic edge gilding.

On the white paper, we used a pearlized white foil for the puff and on the black paper, we used gloss black foil for the puff. Everything else was in gold foil. Everything else was just, you know, splendiferous.

Here’s the back.

2016 bc back

Next time you are in Fort Bragg, you HAVE to go shopping there.

You can order YOUR over-the-top, gilded-lily business cards from Studio Z Mendocino whenever you’re ready for the Next Step. 707.964.2522. These cards are very expensive, it’s true ($1.70 each for 1000 — and no, getting 100 doesn’t work to lower the cost, those would be well over $5 each), but they are worth every cent for the astonishment these little pieces of art provoke in potential clients, the curiosity, and the perfectly fitting vibe. If you’re going to have an ambassador out in the world representing you, it had better be capable of the heavy lifting your high-end clientele expects.

2016 white front

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I love this article from the New York Times last week:

SAN MARCOS, TEX. — On the day before New Year’s Eve, after making the 19-hour drive to Texas from Wisconsin, the writer and artisan Gaylord Schanilec began checking the status of the precious cargo that had been sitting, uninsured, in the bed of his Chevy Silverado. In the home studio of Craig Jensen, a bookbinder here, Mr. Schanilec plucked more than half a million dollars out of Rubbermaid storage bins. The money was in the form of 100 bubble-wrapped copies of “Lac Des Pleurs,” Mr. Schanilec’s ode to Lake Pepin, near his home in Stockholm, Wis., population 69. The going rate for each copy is $5,000.

The book took more than seven years for Mr. Schanilec to make. Now, Mr. Jensen would have to rush to complete the binding for 30 copies in time for the Codex Book Fair & Symposium in Berkeley, Calif., the premier international showcase for handmade books, which starts on Sunday.

The project began when Mr. Schanilec, a self-taught wood engraver and fine printer who seamlessly uses traditional techniques to modern ends, acquired a Lund fishing boat and retrofitted it with a drawing table and library so that he could create while pondering the lake. “I’m really into just going someplace I know nothing about, or into a subject I know nothing about, and just kind of letting it take me wherever,” Mr. Schanilec, 59, said.

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Dallas interior designer Sheryl Maas is best known for her perfect, inspired interiors, sleek lines, stylish furnishings and polished, contemporary combinations. She is one of Dallas’s top designers for both residential and commercial properties. We helped her decide on the name Maas Modern and designed her new logo, which, of course is very chic and simple and less-is-more, with sans serif font letterpressed in gold foil on super-thick black paper.

 

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Meier/Ferrer designs contemporary, modernist furniture that has been featured in a slew of national and international magazines. Their look is clean, hip and ultra-chic, which matches perfectly the design Andrew Cinnamon did for their business cards, and which Studio Z Mendocino printed on our venerable 1952 Heidelberg letterpress. It’s that meeting of the centuries that I love so much: the Twenty-first to the Fifteenth, to be exact — Thank you, Mr. Guttenberg for giving us the means to impress all these five hundred years.

We printed deeply the hard-edge typeface Andrew adapted for this purpose onto super-thick 600 gram Lettra paper. Dense black ink. One side only. And let the typography tell its own story with no fanfare other than its own audacity. We also made script cards for them. Four by nine cards that fit into a #10 business envelope or can be paper clipped to a sheaf of design mock ups with a little note. Love love.

 

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I love love love Annette Thurmon’s wedding dress designs. They are sooo dreamy and gorgeous, and I am lucky to say that Annette is also a dreamy and gorgeous client of mine.

I got to work with Annette when I did her business cards a while back, and today she posted an interview with me on her beautiful website: Chaviano Couture.

I hope you will go see her beautiful designs and read my interview!

xo Zida

 

 

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Danny and Loreta Kash are the principles and great talents behind Danny Kash Photography, which operates out of Connecticut and is available for worldwide destination shoots. It was an incredible experience working with them to develop their new brand because they were so specific about the tone they were looking for, and at the same time so ready to listen to my ideas and inspirations. It was an ideal collaborative experience. Loreta was amazing…she sent me a kind of vision board to work from…showing colors and passions and attractions, moods, and just things that made her heart beat faster. She is so organized and creative at the same time. Look how fab:

It was always fun to confer with them on the phone, always excitement, curiosity into the mysterious process of creation. When I sent them this design, we all just KNEW: this was IT. They definitely wanted this gorgeous pale Caribbean blue-green color, and there were other accent colors we considered, like a sunny orange-ish shade, but in the end we opted for a charcoal gray as the second color.

We deeply impressed the type into 600 gram Cranes Lettra, with the contact information on the back to keep the brand really pure and important. This is my favorite way to make a card really sing. The edges were painted in the same watery-green-blue color, a little accent that pulls the WoW factor up several thousand notches, as we all know.

O, EDGE PAINTING!!!

And yummy shots of the business cards by Danny.

The flowing lines and swooshes of the “dk” monogram set an elegant, celebratory mood behind the classic-yet-slightly-quirky Roman typeface. It’s a fresh, distinctive look for two very special people. And it is always a big treat for me to participate in redefining a company’s graphic look from the ground up. An honor, and a super-fun and exciting adventure. I love the creative trance that brings me to a finished product like this. Do you like it?

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