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Posts Tagged ‘Couture Business Cards’

Thanks for the kudos, BestBusiness Card.net ! They chose only seventeen business cards for interior designers out of the vast selection all over the internet, and one of those was my design for Louisiana designer Stacy Naquin’s black and silver foil ones. Printed at Studio Z several years ago on Cranes 600 gsm Lettra by Rhea Rynearson, they are an unusual example of letterpress printing. Stacy just landed a national TV show and we have a new design coming along soon… Meanwhile, these are still turning heads.

http://www.bestbusinesscard.net/17-elegant-examples-of-interior-designer-business-cards

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Michelle Jonne photos of cards

Marvelous photographer, Michelle Jonne designed her own business cards, then collaborated with me on the finished product. Black gloss foil on super-thick black Museum Mount over-sized cards are edged with a gorgeous salmon-y-coral paint. Fabulous in any language!

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Alkemi Business Card front

Chef Lisa Bower has been busy creating the most spectacular flavored Kombucha recipes ever, which will be available to the public soon. (Lucky me — she let me have some raspberry from a recent batch, and it was so delicious, I must have more, asap!) Her meticulous branding strategy included business cards that made people’s mouths water as much as the Kombucha does, and we just delivered these.

We are in love with these black, two-ply (very thick) cards that bear the logo (a foxy fox or her Shiba Inu foxy dog?), stamped in black gloss foil, and whose tail encircles the alchemical symbol for gold, in gold foil (of course), along with the business name, also in gold foil. These visual puns show up in many places in her concept, and all add up to rich, rich, rich beauty, and something magical too.

Alkemi Business Card Back

Alkemi Business Card Back

The backs have all her contact information in gold foil, but in the subtle black gloss foil, black-on-black, the slogan, “Time reveals truth,” leaves another mystery to ponder. Or at least drops a little tidbit of wisdom as the final fillip. With alchemy, there’s no end to the surprises.

We are eager to find Lisa’s amazing product on the shelves of local bars and restaurants, aren’t you? And we are proud that she chose Studio Z Mendocino to complete the business cards of her dreams. Here’s what she wrote me after receiving the prototypes: “THANK YOU  THANK YOU  THANK YOU!!!!  You rocked my world with the cards today…they are exactly how I envisioned the graphic representation of my product and the energy I wish to convey with my business concept…  Happy smiles!”

Oh, did I mention that Lisa and I “got each other” the minute we met? Yes, it was a great pleasure to work with such a creative and positive client. One of the great perks of my work! That seems magical, too.

 

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A stunning business card carries the day when networking in Hong Kong, or anywhere

A stunning business card carries the day when networking in Hong Kong, or anywhere

 

The backs of the cards are as gorgeous as the fronts. Almost!

The backs of the cards are as gorgeous as the fronts. Almost!

Nami Lee, CEO and Founder of Tokyo Luxe, recently contacted me about doing business cards for her Luxury Concierge Services in Japan. She came with most of her logo completed — the design just needed a little fine tuning to adapt it for letterpress techniques. Because Nami wanted something that would stop traffic, we decided to print them on our super-thickest black museum mount paper with three foils: black gloss foil for the “T”, metallic silver foil and metallic gold foil. Then, after some consideration, I’m happy to report that Nami decided to go for the boldness of salmon colored edge painting.

Closeup of edge painting

Closeup of edge painting

 

When the cards were finally delivered to her in Tokyo, Nami immediately filled up her purse with them and flew out to network in Hong Kong. She emailed me that she has never had such reactions to a business card before. She says she is so happy we met each other online…one more miracle of modern life…she found this blog, called me, and the rest is history.

 

Tokyo Luxe black business cards with three gleaming foil colors on super-thick black paper
Tokyo Luxe black business cards with three gleaming foil colors on super-thick black paper

The finished cards have a vibration of something like jewelry, something at once timeless, unique, and somehow managing to seem contemporary yet also classic. Incredibly thick, luxurious paper foil stamped in gleaming metals, and flicked with the understated-but-ever-so-THERE salmon color along the edges are a force of marketing to be reckoned with. You will not be forgotten when you leave behind something this amazing and beautiful.

This is the photo Nami sent to me from Hong Kong:

Photo Nami took when her business cards came
Photo Nami took when her business cards were delivered to her in Tokyo

 

 

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This is the business card we produced for New York City event company, Platinum Soirees. Nacole Powers designed the logo herself and wanted the major wow factor of a matte black, ultra-thick card with platinum and royal blue foils. I had adapt here existing logo into a two-color image that would work for letterpress. As you probably know, not every design is letterpress-friendly. The original design was not specifically created for this techniques; drop shadows had been applied to make it look like letterpress (kind of). Instead, Nacole got the real thing and no drop shadows were needed. The deep impression of letterpress achieves a little shadow around each image and letter — very beautiful, don’t you think? The registration of the two foils was extremely minute and required a great deal of skill to print properly.

The outcome, as you can see, is nothing short of spectacular. The message is clear, from the name of the company itself, to the execution of the intricate design, choice of paper and colors, the shape and the treatment: this is luxury, this is beauty, this is attention to minute detail and it adds up to a big communication.

 

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Over the years, Studio Z Mendocino has created a lot of amazing business cards and letterpress printing, so you have to know we are not kidding when we claim this as one of the MOST amazing of all. Australian developer and general genius, Nathan Orbach, became one of our favorite clients, too, in the course of this very, very long process that involved quite a lot of Skyping in odd hours and quite a lot more, how shall I say, “translation” or “instruction” of the letterpress vernacular and techniques so he could really understand better and his designer could prepare the files properly. It was a tremendous and very fun-filled effort with a tremendous result.

After having discovered us online and subsequently receiving a big parcel of samples of our work in Australia via FedEx, Nathan had definite ideas about how he wanted the cards to look. Very specific about every detail, but without knowledge of the various ins and outs and weird limitations of what we do, his decisions made it necessary to work around numerous obstacles.

For instance, he wanted the paper to be exactly THIS dense black, but that exact paper only comes in eighty-pound weight, which was MUCH too thin for what he wanted. He wanted extra-extra thick cards with red edge painting. To accomplish this, it was necessary to print two separate pieces of the black paper and laminate them with something like chipboard sandwiched between them. This was just one in a lot of various negotiations that kept us in conversation pretty much the better part of six months. Or more.

In the end, we were all over the moon about the resulting cards.

The backs are as stunning as the fronts.

It all proves that we are always willing to go the last ten thousand miles. If a business card is going to represent you in the world, it really should say everything about you that can be said in two dimensions. In this case “Q” (Quest) to the Zed Power says exactly that: stop at nothing for the sake of perfectly what is wanted and needed in the situation. Plus, letterpress actually adds a third dimension of tactile depth and visual texture. Nothing more need be said.

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Susan Stripling is a wedding photographer whose astonishingly beautiful images, skill, inspired imagination and devotion to the craft have landed her in the midst of some of the most amazing nuptials ever. She just had Studio Z Mendocino do her new business cards and stationery. Susan has photographed weddings throughout the US, the Caribbean, South America, Finland, France, and the Bahamas. She’s been published in Inside Weddings, Martha Stewart Weddings, Grace Ormonde Wedding Style, Bride and Bloom, Modern Bride, The Knot, Professional Photographer Magazine, The New York Times Style section, Rangerfinder Magazine, Capture Magazine, Elegant Bride, in Trade Publications for Nikon USA, and Town and Country Weddings. Susan’s teaching career has developed as well; she has been seen at past Digital Wedding Forum conventions, gives private and group workshops throughout the USA, and has spoken at WPPI. Busy Susan, had Infinet Design devise her double-S monogram and we foil stamped it in gold onto her lux stationery wardrobe: business cards on very thickest Cranes Lettra 600 gram cover stock, and script cards in the same ultra-thick paper (think thank you notes, quick messages accompanying samples, etc., etc.) that fit into spectacular Cranes number ten envelopes with rather monumental square flaps. This is the blockbuster envelope we love to stuff:

Here is the script card:

Because it is foiled in a single color, with the monogram/logo on the front of the business card and only the website address on the back, overall costs were kept to a minimum, but the finished pieces carry all the gorgeousness and panache anyone could possibly desire.

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