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Posts Tagged ‘Black Business Cards’

Lynn Winter Edge Gilded Business Cards

Studio Z Mendocino is extremely pleased to announce that we are now able to offer mirror-like foil edge gilding for our business cards. We are extraordinarily happy to show you our first job featuring this insanely over-the-top adornment.Lynn Winter's Gold-Gilded Business CardsThe amazing creative genius Lynn Winter, recently returned to the Mendocino coast from Louisville, Kentucky, had never seen anything like our super-thick, black foil-stamped business cards. She loved them so much that she would require nothing less than to have me make her a new logo and put it on a bunch of cards, to properly commemorate her new life and new home. Over a glass of wine and a very long heart-to-heart-getting-to-know-you, I doodled this name-ish thing: Lynn…ULynn…Lynniverse…

Lynn Winter's New Logo

Which she loved. First thing. That’s how Lynn does things: she KNOWS; then she ACTS. So, OK. How fun…I told her how I would like to do it up, and, next day, made up the final layout, imagining it in two gleaming, unusual foil colors: celery and coral, stamped on 2.5-inch square, black cards. Done. Yes, she loved it. Then I told her about our newest embellishment option: gold or silver foil edge gilding. Yes. Do it. Sight unseen, she said yes, must have…gold…

Soooo…we did. And here it is. And she is just gasping around. Nobody can believe them. They are so incredible that I won’t even try to be modest. They just ARE incredible. As one of her friends just said, “I will just go on home now and frame this.”

Gold Foil Edge Gilding

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Michelle Jonne photos of cards

Marvelous photographer, Michelle Jonne designed her own business cards, then collaborated with me on the finished product. Black gloss foil on super-thick black Museum Mount over-sized cards are edged with a gorgeous salmon-y-coral paint. Fabulous in any language!

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Alkemi Business Card front

Chef Lisa Bower has been busy creating the most spectacular flavored Kombucha recipes ever, which will be available to the public soon. (Lucky me — she let me have some raspberry from a recent batch, and it was so delicious, I must have more, asap!) Her meticulous branding strategy included business cards that made people’s mouths water as much as the Kombucha does, and we just delivered these.

We are in love with these black, two-ply (very thick) cards that bear the logo (a foxy fox or her Shiba Inu foxy dog?), stamped in black gloss foil, and whose tail encircles the alchemical symbol for gold, in gold foil (of course), along with the business name, also in gold foil. These visual puns show up in many places in her concept, and all add up to rich, rich, rich beauty, and something magical too.

Alkemi Business Card Back

Alkemi Business Card Back

The backs have all her contact information in gold foil, but in the subtle black gloss foil, black-on-black, the slogan, “Time reveals truth,” leaves another mystery to ponder. Or at least drops a little tidbit of wisdom as the final fillip. With alchemy, there’s no end to the surprises.

We are eager to find Lisa’s amazing product on the shelves of local bars and restaurants, aren’t you? And we are proud that she chose Studio Z Mendocino to complete the business cards of her dreams. Here’s what she wrote me after receiving the prototypes: “THANK YOU  THANK YOU  THANK YOU!!!!  You rocked my world with the cards today…they are exactly how I envisioned the graphic representation of my product and the energy I wish to convey with my business concept…  Happy smiles!”

Oh, did I mention that Lisa and I “got each other” the minute we met? Yes, it was a great pleasure to work with such a creative and positive client. One of the great perks of my work! That seems magical, too.

 

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Carsten Mol Photography Business Cards

Carsten Mol Photography Business Cards

Danish photographer Carsten Mol found Studio Z Mendocino online and contacted me about a year ago. He wanted to have some really special business cards, and, of course, that is what we do here. We instantly felt a rapport, even though separated by many miles and much water and emailed enthusiastically about what he had in mind, ideas I had for the design and materials, colors, possibilities and his dreams. It was sort of like meeting an old friend I didn’t know yet. Carsten was rebranding and got back to me after several months when his website was completed, as he promised he would.

Edge painting put the icing on the cake

Edge painting put the icing on the cake

His website was the inspiration for the design we finally landed on. go see: Carsten’s website

The backs are equally yummy

The backs are equally yummy

When the cards arrived to Denmark, this is how Carsten started his blog post about them: “Today I got my brand new Business card! And what can I say more than, I just love them!!!! They are small pieces of art.” The nice things he said about working with me almost made me cry! He immediately sent me these wonderful shots he took of them and I feel proud to post them here today.

The first cards we have done for someone in Denmark!

The first cards we have done for someone in Denmark!

I often say, “I love the modern world!” and, really, I mean it. Never before have we been able to do business in this way, to connect with like-minded people in any corner of the world and relate to each other, feel into others’ lives in this marvelous way, affect each other and even affect each others’ friends and colleagues and, of course, clients, most importantly. It really seems like some sort of miracle, a miracle we take for granted every day, that allows unprecedented communication and relationship to occur regardless of geographical location.

Thank you, Carsten, for reaching across the ocean from Scandinavia to the USA, to California, to Mendocino County, to my little office at Studio Z Mendocino, and to my heart. It’s a beautiful miracle to know you.

 

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A stunning business card carries the day when networking in Hong Kong, or anywhere

A stunning business card carries the day when networking in Hong Kong, or anywhere

 

The backs of the cards are as gorgeous as the fronts. Almost!

The backs of the cards are as gorgeous as the fronts. Almost!

Nami Lee, CEO and Founder of Tokyo Luxe, recently contacted me about doing business cards for her Luxury Concierge Services in Japan. She came with most of her logo completed — the design just needed a little fine tuning to adapt it for letterpress techniques. Because Nami wanted something that would stop traffic, we decided to print them on our super-thickest black museum mount paper with three foils: black gloss foil for the “T”, metallic silver foil and metallic gold foil. Then, after some consideration, I’m happy to report that Nami decided to go for the boldness of salmon colored edge painting.

Closeup of edge painting

Closeup of edge painting

 

When the cards were finally delivered to her in Tokyo, Nami immediately filled up her purse with them and flew out to network in Hong Kong. She emailed me that she has never had such reactions to a business card before. She says she is so happy we met each other online…one more miracle of modern life…she found this blog, called me, and the rest is history.

 

Tokyo Luxe black business cards with three gleaming foil colors on super-thick black paper
Tokyo Luxe black business cards with three gleaming foil colors on super-thick black paper

The finished cards have a vibration of something like jewelry, something at once timeless, unique, and somehow managing to seem contemporary yet also classic. Incredibly thick, luxurious paper foil stamped in gleaming metals, and flicked with the understated-but-ever-so-THERE salmon color along the edges are a force of marketing to be reckoned with. You will not be forgotten when you leave behind something this amazing and beautiful.

This is the photo Nami sent to me from Hong Kong:

Photo Nami took when her business cards came
Photo Nami took when her business cards were delivered to her in Tokyo

 

 

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Over the years, Studio Z Mendocino has created a lot of amazing business cards and letterpress printing, so you have to know we are not kidding when we claim this as one of the MOST amazing of all. Australian developer and general genius, Nathan Orbach, became one of our favorite clients, too, in the course of this very, very long process that involved quite a lot of Skyping in odd hours and quite a lot more, how shall I say, “translation” or “instruction” of the letterpress vernacular and techniques so he could really understand better and his designer could prepare the files properly. It was a tremendous and very fun-filled effort with a tremendous result.

After having discovered us online and subsequently receiving a big parcel of samples of our work in Australia via FedEx, Nathan had definite ideas about how he wanted the cards to look. Very specific about every detail, but without knowledge of the various ins and outs and weird limitations of what we do, his decisions made it necessary to work around numerous obstacles.

For instance, he wanted the paper to be exactly THIS dense black, but that exact paper only comes in eighty-pound weight, which was MUCH too thin for what he wanted. He wanted extra-extra thick cards with red edge painting. To accomplish this, it was necessary to print two separate pieces of the black paper and laminate them with something like chipboard sandwiched between them. This was just one in a lot of various negotiations that kept us in conversation pretty much the better part of six months. Or more.

In the end, we were all over the moon about the resulting cards.

The backs are as stunning as the fronts.

It all proves that we are always willing to go the last ten thousand miles. If a business card is going to represent you in the world, it really should say everything about you that can be said in two dimensions. In this case “Q” (Quest) to the Zed Power says exactly that: stop at nothing for the sake of perfectly what is wanted and needed in the situation. Plus, letterpress actually adds a third dimension of tactile depth and visual texture. Nothing more need be said.

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Dallas interior designer Sheryl Maas is best known for her perfect, inspired interiors, sleek lines, stylish furnishings and polished, contemporary combinations. She is one of Dallas’s top designers for both residential and commercial properties. We helped her decide on the name Maas Modern and designed her new logo, which, of course is very chic and simple and less-is-more, with sans serif font letterpressed in gold foil on super-thick black paper.

 

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Corine Tran of Studio Tran, in Louisiana, called me before Christmas with a vision and a hope to get some awesome business cards made up for her photography business. After a couple of emails she casually mentioned, “I can’t believe you’re in Fort Bragg.” Mystified, I asked her why that was amazing to her — had she been to Fort Bragg?? — and she answered that she’d lived and gone to high school here! The Small-World connection and her warm personality made this one of those jobs that seems a little bit magical the whole way through. Right off the bat, she won me over completely be sending us a King Cake — the most scrumptious, sweet, way-too-tempting Louisiana Mardi Gras confection we ever tasted. OMG is all I can say. Also, YUM. I never even heard of a King Cake before and could not believe she did that!

Corine had to be veeerrrrry patient with us because, as some of you know, we were in the throes of moving out of our shop after twenty-seven years (more on this later, I promise), which took the better part of two months, but the upshot for the Transes was that it took a ridiculously long time to get the cards done despite the cake. Honest, we are not usually like this, but that move was taxing even our most angelic customers!!! Luckily, she was not in a huge hurry. We did send a few to her after they were printed but before they got the final embellishment, hot pink edge painting, so Corine and Beebe could attend a convention with some cards in hand (which, we hear, went over big anyway).

Her husband Beebe had already designed the truly inspired and beautiful “BC”monogram for their logo, and the vector files for the cards were all ready to go. All it needed was what Studio Z Mendocino does so well: letterpressing colored foils onto super-thick black Museum Mount paper and turning a lovely dream into an even lovelier reality.

The hot pink edge painting finished them off in the spectacular way that that one small detail can. The cards are completely off the charts in terms of beauty, charm, WoW factor and amazingness. Corine says, “We absolutely love the business cards. They are everything I wanted and had in my mind when I first set out to find someone who could make this happen! Thank you Thank you Thank you!  Everyone just ooohhs and ahhhs over them and asks where we got them.”

It was, may I say, my very great pleasure to work with Corine and Beebe and to produce these amazing little pieces of art. I am sure that anyone who works with them will feel that same way. I know the cards will bring you new and exciting clients. They are kind of magical like that.

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Seth Sirbaugh is a terrifically talented graphic designer whose new letterpress business cards carry the message of the new “tribe” brand he’s developed, in the most stylish way imaginable. We did two versions, which you see pictured above. The first was the more complicated. We used French’s Gray Durotone 80# cover, a mottled, slightly gnarly-in-a-chic-kind-of-way sheet. It’s not very thick, so to add substance (and mystery), Seth had us make a “sandwich,” laminating the backs and fronts of the gray Durotone, with a “filling” of pumpkin-colored Durotone. You can see the little, subtle, yummy orange stripe when you turn the card sideways.

The fronts of the cards were printed in black glossy foil with the “tribe” logo and the uber-hip tagline, “design. cultured.” I love that. The backs have the contact information foiled in white opaque foil. With darker colored papers, white ink will not block out the background color entirely. There is always some bleed-through, so to alleviate that, we always use opaque white foil, which is much more opaque.

The entire laminated card is still not as thick as, say, 600 gram Lettra, which we use most often here these days for our most premium jobs. He didn’t want them to take up that much room in his wallet. At first. But then there was a small crisis, which I won’t go into right now, which allowed us to make another, smaller batch of cards on white 600 gram Lettra. On this run, we edge painted them in the same pumpkin-y orange. And, oh la la, baby. How can he decide which version to pass out?

Working with a designer of the professional caliber of Seth Sirbaugh is a pleasure beyond pleasure. Collaboration is always necessary on a job (jobs) like this one. He had the vision and I acted as mediator between that and making the vision into something he could hold in his hand and be proud and assured that it represented him well. When the crisis occurred, Seth was gracious in the extreme. Often, with letterpress, patience is a virtue, and Seth’s virtue showed up in the form of little wings sprouting from the shoulders of his tee shirt.

It’s not usual to get to give a design two entirely different treatments like this, so as a way to show off the amazing versatility of letterpress’s many virtues, there could not be a better example. The entire mood is changed, the vibe, maybe even the clan, in these two very different versions of the same design.

We all wanna be in Seth’s groovy tribe!

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Nini Nguyen, embodiment of all things gorgeous, stylish, elegant and chic, including herself, wanted nothing but black-on-black and deep texture for her Fashion Stylist business cards. Her husband Loc designed these industrial-strength cards using a Stencil typeface, and we applied black gloss foil onto super-thick black Museum Mount with very deep impression. It amounts to understatement that packs a mysterious wallop.


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