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We just finished designing and printing letterpress business cards for a wonderfully talented new arrival to the Mendocino Coast. Karen McGrath brings many years of knowledge and experience in planning outdoor spaces in Redding, California, where her client base included residential and commercial property owners, contractors, architects, interior designers, and fans of every stripe. Her intelligent use of space and luxurious landscaping instincts will be put to good use in our cool, moist climate. She’s excited to work with our coastal cornucopia of cool weather loving plants.

And she loves her new Studio Z Mendocino letterpress cards like crazy:

MGC side view

We printed them on 600 gsm Lettra in a very deep, forest-y green ink, then foiled the word GARDEN in some kind of indescribable pale green metallic foil. You can see the gleam in the rather moody photo above.

The backs are printed in ink except one little botanical dingbat is done in foil:

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The frosting on this delicious cake was a green edge, which perfectly matches the foil.

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MGC front photo

Deep, deep impression, super-thick paper, chic-but-slightly-whimsical typography, a bit of bling, a certain spirit in it: the cards describe Karen’s outgoing personality and gorgeous work. We aim for this effect, this matching what we do to graphically signal what you do with subtlety and verve, and are always gratified when we nail it for our clients. We feel lucky that Karen has chosen to move to the coast, too.

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fullsizerenderFernando Crosara is a genius of fine upholstery. He learned his arcane craft with Italian master upholsterers and brings his most persnickety, perfectionist traditional talents to the US via his birthplace in Brazil. He can reupholster ANYTHING and make it new again. Better than new. He’s also the handsomest man in the world, just saying.

I felt lucky to get to make his new logo, which I completely love for its simplicity, modernity, and even if I do say so myself, cleverness. See what’s going on? A circle turns into a monogram C and D. Have I mentioned how very much I love designing monograms? LOVE.

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We chose to do digitally printed cards with a glossy finish to set off the chic black-and-white design. Less is more, less is more, less is more.

(The little spotted plate is by a local ceramicist whose last name I forgot. Her first name is Lizzie and I’m crazy about her work! You can find it at the Artists Coop in downtown Fort Bragg.)

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Salvador Baby Announcement

This birth announcement for baby Salvador was printed on luxuriously thick and subtly textured 600 gsm Cranes Lettra so we could take full advantage of letterpress’s characteristic impression. The rectangular dent at the top makes a frame for the tipped-on photograph. Printed by Rhea Rynearson for us, the 100 5″x7″ announcements and matching envelopes were around $10 a piece, including shipping to Europe. Salvador’s parents told me that their friends and family loved it. And how could they not? It helps to have the most beautiful baby in the world, too.

The dent makes a frame

The dent makes a frame where the photo nestles. Tipped-on or tipped-in means a separate piece is glued to the paper, giving one more textural point of interest.

deep impression

It’s all about texture. The inked type sinks deeply into the very thick paper and leaves a little shadow around each letter and number. This is how you identify letterpress. A beautiful way to tell the world your darling new child has come into the world.

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gold edge cardsMonica Wellington’s impossibly fabulous SPLENDIFEROUS women’s clothing boutique, on Fort Bragg’s most fashionista-friendly Laurel Street, needed a new business card. The last one I had designed for her was a little bit funky (thick kraft paper), a little bit swoozy (ultra-wild typesetting), and had served its purpose well for several years.

IMG_0478Super cute, right?

Now, almost out of the old ones, she wanted something to match the way Splendiferous! had evolved over the ensuing years, to 2016. Monica wanted to keep the dandelion puff we’d always used, and she still loved “Splendiferous” spelled with an exclamation point in place of that “i,” in the middle, but it needed a new, sleeker, chicer, more uber interpretation that befit how the shop is now: Ultra-glorious.

2016 bc black front

Monica couldn’t make up her mind whether she loved white paper or black paper. Each gives off such a different vibe. So, of course, in line with my motto, If it’s worth doing, it’s worth OVER-doing: I printed her new designs on BOTH–half on white Cranes Lettra 600 gsm, and half on black super-thick, thick, thick, amazing Museum Mount papers, and then, of course, we gilded the lily…

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Oh, gee. What can you say? Gold, metallic edge gilding.

On the white paper, we used a pearlized white foil for the puff and on the black paper, we used gloss black foil for the puff. Everything else was in gold foil. Everything else was just, you know, splendiferous.

Here’s the back.

2016 bc back

Next time you are in Fort Bragg, you HAVE to go shopping there.

You can order YOUR over-the-top, gilded-lily business cards from Studio Z Mendocino whenever you’re ready for the Next Step. 707.964.2522. These cards are very expensive, it’s true ($1.70 each for 1000 — and no, getting 100 doesn’t work to lower the cost, those would be well over $5 each), but they are worth every cent for the astonishment these little pieces of art provoke in potential clients, the curiosity, and the perfectly fitting vibe. If you’re going to have an ambassador out in the world representing you, it had better be capable of the heavy lifting your high-end clientele expects.

2016 white front

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Bella Viva Business CardDeanne England, the incredibly talented interior designer and owner of Bella Viva Interior Design, called me one day out of the blue. She was surprised to learn that my studio is only an hour-and-a-half drive from her northern California office. She was looking for someone to design her new logo, business cards, stationery, etc., and had found my website and blog, liked what she’d discovered there, and suddenly we were chatting excitedly away like two old friends making plans.

As with all interior designers I have worked with, she had many, many ideas and concerns, and at the same time she was wonderfully open to my input. After establishing a mutual recognition and rapport, we hung up on a note of simply infinite possibilities as I zoomed into my favorite space: the trance of design. Where does that thing come from? How does it work? Honestly, it’s the biggest mystery, and I love it.

Bella Viva Business Card BackOne of my favorite parts of the work I get to do is designing monograms. It just knocks me out. For Deanne, I drew a lot of little doodles all over everything I saw for the next few days. I had envisioned something very crisp and modern, yet classical — but I did NOT envision what eventually emerged out of my doodles, not at all: A playful little “flower,” a nestled b and v, very hand-drawn looking. To tell you the truth, I was a little scared even to show it to Deanne because it was so far away from what we had talked about! But I got up my nerve and pushed the button anyway, because I really loved it. The worst that could happen was I would go back to the drawing board, right? So there it was, traveling to her via a brave little .pdf attachment. Fingers crossed, I awaited her response…

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And guess what: SHE loved it too. LOVED!

The next step was designing the typography, which came together so naturally. And then deciding on colors: Deanne was definite — seafoam green and gold foil. That too was surprising…and perfect. These incremental decisions have so much importance when you are in the designing mode, patiently moving toward a final product. Each tweak, each gradation of color, each space between each letter…all come to mean so much to how a logo lands on paper and in how it is perceived by prospective clients. Everything has to ‘speak’ of attention to detail, to beauty, to rhythm and proportion, and mood, and a million unnameable things that play into what finally happens. This is the beauty of design and the beauty of collaboration.

In the end, we printed up an entire Stationery Suite for Deanne, all by letterpress and all just so beautiful. It included the amazing business cards you see here, letterhead and #10 business envelopes, thank you notes and envelopes for those,

Folding Thank You Note mailing labels, great big black envelopes with personalized mailing labels for sending out samples and unfolded sheets of paper, and the amazing press kits, which required a LOT of very special techniques to make them work.

Bella Viva Press Kit FolderEverything but the folders was printed on our venerable Heidelberg Windmill presses, as always, by Rhea Rynearson, the best letterpress printer I have ever known (and you should know her too), using age-old knowledge, intuition, and deep reverence for this 500-year-old craft we keep alive every day at Studio Z Mendocino! We are so grateful to have clients like Deanne England, who understand the power that resides in great creative design and beautiful printing.Inside pocket of press kit folder

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Thanks for the kudos, BestBusiness Card.net ! They chose only seventeen business cards for interior designers out of the vast selection all over the internet, and one of those was my design for Louisiana designer Stacy Naquin’s black and silver foil ones. Printed at Studio Z several years ago on Cranes 600 gsm Lettra by Rhea Rynearson, they are an unusual example of letterpress printing. Stacy just landed a national TV show and we have a new design coming along soon… Meanwhile, these are still turning heads.

http://www.bestbusinesscard.net/17-elegant-examples-of-interior-designer-business-cards

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Kingsbury Garden Designs Digital Business Card with AkuaFoil

Dorrit Kingsbury (adore her name) of Kingsbury Garden Designs emailed me one night a few months ago with the most arresting message: she had been studying my blog and website. She said she knew every single thing on them. And she just knew I was the one who was supposed to design her new logo and make letterpress business cards. It was another one of those things: I could tell, just from talking to her that first day, that we were destined to do something really wonderful together.

The process was one of discovery at first. Thinking about what she loved, what she did not, what she wanted her logo to express. Ideas she had about her name, avoiding a stuffy effect because of that rather formal name, Kingsbury Garden Designs, things like that. We talked a lot and then of course, after a while, it was time.

I went into my trusty creative trance and something started “coming through.” I don’t really understand or know about how this thing happens, but suddenly, there was this mark, which I dubbed “The Leafy K.” It was green, it was leafy, and I was trying not to get too attached to how much I loved it because it was NOTHING like what we had talked about and I was not sure Dorrit would feel equally crazy about it. Here it is:

Kingsbury Garden Designs Letterpress Card

But guess what: she was. There was a good deal of fiddling around with colors, shape and size of the cards, typeface (the marvelous and lively Koch Antiqua, in the end) and then Dorrit had this iconoclastic idea to make The Leafy K pink. But of course! I did it, and it was perfect. We decided on a leafy green for the edge painting on the letterpress ones. That is what you see above: Pink Leafy K with gold foil outlining and gold foil lettering.

The digital version has a pink foil effect on The Leafy K, with a sort of blackberry-deep-purple lettering and of course no edge painting, and it’s on glossy paper. The two, shown side by side below, are the same, but very, very different.

Kingsbury Letterpress and Digital Cards, side by side

Each has its uses and Dorrit says, “WeeHoo! My beautiful letterpress cards … are lovely, elegant, delicate and regal!!! …

“The letterpress ones are more subtle than the digital cards.— Here’s a surprise… I love the gold!!  It is what makes the design delicate and regal at the same time. It really Works!

“And… It’s interesting that, now, I really love the foil in the digital cards (call me crazy) and miss the richness of it in the letterpress leafy K.  WHO KNEW?” Yes, Dorrit is really happy with them — both of them — and says people comment on her logo and cards all the time. (Are we very surprised?)

So, we will have to work on getting everything into one card when we reprint them after she runs out… much of this work is hunt-and-peck, guessing and hoping, because you can’t always tell exactly how a certain technique will work on the paper, or whatever, and sometimes you have to treat it as a very exciting experiment.It will be beautiful to try the pink foil on The Leafy K next time we do the letterpress ones, and see if it’s possible to love it even more than we do now.

It was such a treat to work with Dorrit on this brand design and business cards. We got to know each other through this process, as happens so often. I feel I have a very talented, wonderful new friend.

She has new lawn signs and a new sign for her truck, too. If you go to her website you will see how her work is so lush and textured, and how it relates to this leafy K two-dimensional symbol of it: http://kingsburygardendesigns.com.

Kingsbury Leafy K Business Cards

Her website describes her work as: “Modernist Design with classical sculptural influences for garden and outdoor living spaces. Serving Atherton, Palo Alto and the Peninsula.” It is really Dorrit’s incredibly gorgeous personal vision, her own art form, and it is a wonder. This job was a true collaboration and a true pleasure…with a truly amazing result.

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Design: Zida Borcich; Letterpress Printing and Foil Stamping: Rhea Rynearson.

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