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Archive for the ‘Letterpress Printing’ Category

Danny and Loreta Kash are the principles and great talents behind Danny Kash Photography, which operates out of Connecticut and is available for worldwide destination shoots. It was an incredible experience working with them to develop their new brand because they were so specific about the tone they were looking for, and at the same time so ready to listen to my ideas and inspirations. It was an ideal collaborative experience. Loreta was amazing…she sent me a kind of vision board to work from…showing colors and passions and attractions, moods, and just things that made her heart beat faster. She is so organized and creative at the same time. Look how fab:

It was always fun to confer with them on the phone, always excitement, curiosity into the mysterious process of creation. When I sent them this design, we all just KNEW: this was IT. They definitely wanted this gorgeous pale Caribbean blue-green color, and there were other accent colors we considered, like a sunny orange-ish shade, but in the end we opted for a charcoal gray as the second color.

We deeply impressed the type into 600 gram Cranes Lettra, with the contact information on the back to keep the brand really pure and important. This is my favorite way to make a card really sing. The edges were painted in the same watery-green-blue color, a little accent that pulls the WoW factor up several thousand notches, as we all know.

O, EDGE PAINTING!!!

And yummy shots of the business cards by Danny.

The flowing lines and swooshes of the “dk” monogram set an elegant, celebratory mood behind the classic-yet-slightly-quirky Roman typeface. It’s a fresh, distinctive look for two very special people. And it is always a big treat for me to participate in redefining a company’s graphic look from the ground up. An honor, and a super-fun and exciting adventure. I love the creative trance that brings me to a finished product like this. Do you like it?

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Three color letterpress folders: gray, black and papaya colored inks on 300 gram white Cranes Lettra . Papaya envelopes with a jazzy stamp. A fabulous menu and guest list.

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The great big “L” monogrammed  on Leo Druker‘s oversized letterpress printed business cards strikes as bold a statement as the Washington DC photographer makes with his work. Leo came to Studio Z Mendocino with his logo already designed. We conferred with him about the best materials to use, how to give the cards their majorest WoW factor possible and came up with these beauties.

Printed on a 2.5 x 4 inch sheet, and weighing in at 600 grams on super-thick Cranes Lettra luxurious stock, these are not cards to fool around with. They mean business. We printed them in two tones of charcoal gray ink, then, to put the upper cut into the already big punch, we edge painted them in the darker of the two grays. As Leo has told me several times in emails: they “are getting rave reviews from every person who looks and/or touches them.” Well, we are not surprised. They are stunning.

I wish you could feel them. Substantial. We love strong beauty and these are that.

If you really want to make an impression that lasts when you leave, you could not choose a better vehicle than cards like these. You will not be forgotten easily.

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It’s not too early to start planning your Kentucky Derby party for 2012. I know, Animal Kingdom has hardly stopped sweating, but believe me, a Kentucky Derby party worth its julep is going to take lots of creativity and lining things up in advance. You don’t want to get down to the wire and suddenly find the best party planners have already been booked, or that the guests you counted on have already responded to another save-the-date.

You might want to emulate this invitation we created to a Kentucky-Derby-theme birthday party that happened last December here in California. We printed them letterpress on super thick white paper, which we mounted to a gorgeous, deep red backing sheet. That formed a frame and gave the piece even more presence. Then we put it into a deep red BOX. The mailing labels mimicked the horse theme and we tied the whole thing up with a skinny little brown ROPE. We included also in the box instructions about its being a surprise party, and a directions-to-the-venue card. Everything went into a FedEx box and was delivered one-day-air.

The tickets were also printed letterpress on the same super-thick white stock, replete with a perforated stub to make them look even more official. I love the idea that they were sent in a subsequent mailing in #10 Cranes square flap envelopes, which only added to the anticipation for all the fun.

.The party was a hit and everything went off without a hitch, so to speak. Perfect food and drinks, perfect place, perfect guest list, perfect everything. And it was a complete surprise. A perfect winner.

We have been doing lots of wedding invitations in boxes over the last few years, and the idea in this post can be adapted to any number of party or reception themes. Boxes come in a big array of colors and we can choose gorgeous contrasting ribbons to tie them up and an infinity of different ways to make them uniquely your own.

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The two most-asked questions I get from email inquiries are what you see in the title of this post. The answers depend on so many things that it’s almost impossible to pin it down. But I want to address these questions because having these cards is a kind of spendy proposition, and it takes more time than most printing, but it can be so worth it because the cards say such good things about you when you are out of earshot.They tell a big story about your talent, your attention to detail, your fabulous aesthetic and hipness quotient. They get more attention and they get more jobs. They are audacious and they are convincing. They are worth it, in other words.

As beautiful Lara Rios said the other day…”Everything goes up and nothing ever goes down.” That is too true. Paper costs have been out of sight the last couple of years. And we use such extra-special papers that it’s even truer for us.

So, what does it cost to get your hands on some of these fabulosity-drenched business cards? Let’s say you already have a logo that you love. Let’s say it is a two color design, which can translate to two ink colors or two foil colors or one of each.

If you get 1000 cards made up with two color runs, printed front and back, on super thick 600 gram Lettra or on even thicker black or colored Museum Mount, it will usually come in around $1100 or $1200. Adding a third color run will add about $225 to $250 for extra dies and printing to that price. Edge painting is additional too.

Yes, I know. It starts around one dollar per card, plus. If you think you would like to save money by getting fewer cards, it is something you need to think hard about because, in printing, it’s always “cheaper by the dozen.” I mean, cutting the quantity in half does NOT result in half the price. This is because the prepress things are in that price no matter if you get one or ten thousand. In the end, getting MORE cards actually saves money in the long run.

Five hundred of the same sort of card will not be $600, but will be more like $800+, so the unit price, in this case, goes up to $1.60 per card. This will make you really think hard about giving your cards away, which defies the whole concept of getting your name out there. So we recommend doing more than less, if you possibly can.

Now, the question of how long it will take: I have done cards in one day, in five days, and I have taken a YEAR to get cards out the door. This usually depends on the customer’s ability to make a decision and we were not working on the card every minute of that time. I promise.

We usually like to say it will take between two and half to four weeks, depending on what is lined up on our press schedule and what processes have to be done to the card, how long it takes to get paper and dies lined up and so forth. If they will be edge painted, that adds one and a half to two weeks to the timeline. Sorry this is so nebulous, but it is the truth. We can really go fast if everything is in place but sometimes it is not so super fast.

If you need a new logo, that too is not easy to pin down. Everything is custom, so we would need to talk about your needs before venturing an estimate. But we do logos and branding and websites here, too. Just ask.

I hope this is helpful and that you will call soon. 707 964 2522 We would love to work with you on your next business cards and stationery, your invitations or announcements, your website or branding.

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Coast Village Design Group‘s Wendy Carpenter contacted Studio Z Mendocino when she decided to re-brand her interior design company. Wendy is one of the most meticulous people with whom I have worked, with very definite ideas that, combined with her concurrent openness to collaboration, perfect sense of timeless style, and down-to-earth personality, made this card an incredible experience for me, with an extraordinary outcome. They perfectly reflect Wendy’s creativity and design sensibilities.

Printed on super-thick, cream colored museum mount stock that takes the impression of letterpress like nobody’s business, Coast Village Design Group’s cards were printed in a very pale cream color for the decorative flourish, a deeper khaki colored ink on the back, with rich charcoal gray for the type, and set off in gold foil for the script “V” on the front, and “Interiors” on the back. The back design was inspired by this ancient window arch:

We printed the back outside border around a hand drawn arch in this gorgeous khaki color. The pressure of the border visually popped the interior of the arch up, giving the cards an opulence of textural interest.

We feel very proud of the inventiveness and craftswomanship in these small, powerful pieces of art.

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Tony and Lisa Geer have created one of the coziest, most appealing restaurants on the Mendocino Coast. Pearched right on the edge of the continent, in Albion, California, The Ledford House offers diners a panoply of pleasures: wonderful cuisine with a French accent, tasty jazz every night, a fabulous bar that looks right out to the end of the horizon, and in the dining room a wall of windows onto the ever-changing deep blue sea. It’s not unusual to view whales gamboling offshore and I personally saw the Green Flash from their west deck, the only sighting ever for me, but something they treat rather cavalierly, since they have seen so many. It’s no wonder The Ledford House is one of our favorite places to meet friends or just go out for a date. It feels special while maintaining a hominess rivaled only by…well, by home. I took this picture from our table the last time we went to dinner there after totally watching a pod of whales spouting very close to our table…

So, imagine how thrilled I was when Tony and Lisa came by and wanted to get new letterpressed business cards from Studio Z. While we were at it, we gave the layout a little bump up, making “Ledford” bigger and using a copper foil instead of the bronze they had before. The cards are so cool.

With a map on the back and a place to write notes, these three color cards — sagey green, aubergine and copper foil– printed on 300 gram Cranes Lettra, are not only gorgeous but eminently useful. Too lovely to throw away, too big to put in a wallet, you will find them stuck on refrigerators and propped on mantels all over the world.

We love the Ledford House and Tony and Lisa love their new cards.

They totally express the quality of the experience offered by the Ledford’s hospitality and attentive, delicious, fun-filled ambiance.

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Ben and Rebekah Hood of West Palm Beach, Florida named their photography company for the Greek word that means “Beautiful”: KALLIMA. They brought their BEAUTIFUL, edgy logo design to Studio Z Mendocino to transform it into a business card that would further intensify the branding for what they do: Beautiful Wedding, Engagement and LifeStyle photography.

We printed the image and contact information in black ink onto extra-large (a four inch square), extra-thick Cranes Lettra 600 gram paper. Here are their own words about the process and finished product:

It was a three or four-month process…getting everything perfectly designed and laid out, uploaded, ordered…and working with Studio Z Mendocino out of california was so easy. They were so helpful and really aided us in coming up with our final product…our new business card. Studio Z does business cards for some really talented people: Ben Chrisman, fred egan, and Poser Image to name a few. When Erik Clausen of Poser Image referred them to us, we were immediately hooked.

Introducing the new, fabulous business cards for Kallima Photography!

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Enchanting Planting, a garden and landscape design company in Orinda, California, has been my customer for decades now. I designed their logo back in the 1980s and we all have really loved it through numerous reprintings. Recently they came to me for a reprint of their business cards and also needed new stationery and envelopes too.

Prepared to reprint with minimal changes — adding the URL and email address were all they wanted added — I sent some new paper samples down to them because their old paper had been discontinued from the mill. While I was at it I threw in a few other samples of business cards and other work we have been doing at the shop, just to let them in on what we have been up to recently, which, if you follow this blog, you know has been pretty thrilling.

Well, imagine my surprise when they called back completely gaga over everything, especially the very thick black cards with foil stamping. They didn’t even know anything like that existed in the world. WELL! You have to know how I love to bite into something like this. A complete updating of their look was in order all of a sudden, yet they did still lovethe motifs I had used initially, which you can see below.

This is, you know, a conversation. To redesign or design from scratch a new logo and branding requires some introspection…What do you love? What do you want to ditch? What’s different about what you are doing now as opposed to what you used to do when the first logo was created. What is the mood you want to set up with your cards? Who are your customers now? What are they like? What should the color palette be? Etc., etc….These questions guide the direction of the logo design process.

We chose to keep the happy image of the flower basket, but to put it on in a gleaming apple green foil. We chose to use thick, thick Museum Mount black paper instead of the former cream colored, much thinner stock, and to lose the jungle patterned border. I redesigned their logotype, too, using a more modern font. This, and the contact information, we stamped on in gold metallic foil. And I put the phone number is a swoopy, romantic type that calls to mind the movement and grace of leaves in a breezy garden. Then, the coup d’gras — EDGE PAINTING in the same apple green. Look:

It’s quite clear that there is NO garden design company in the world with cards that look anything like these. As distinctive and gorgeous as the work Enchanting Planting does all over the Bay Area, they now have business cards that set the stage for what they stand for and what they create in people’s homes and yards.

It’s so much fun to work with my clients, many of whom have been with me since I opened in 1984, and who feel like old friends to me. I’m always so happy to hear from them again and again over the years. They are clients AND friends. Makes my life very grand. Knowing they are proudly passing out the work we have done for them here at Studio Z Mendocino and helping them to get their names out in the most elegant, edgy, beautiful way…why does that give me such a thrill? But really, it does. I love them and I love the work we get to do for them, and they are excited and proud of their printed things…it’s such an interesting, engaging, creative relationship. How much better could it possibly get than this?

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Jessica Chapman of Brio Media wanted business cards with a very big WoW factor. Here are Jessica’s own words:

I absolutely had to do a quick post about my new business cards from Studio Z Mendocino!  Zida did such a wonderful job guiding me to finalize the design for the most “moxie,” getting them to print, and even getting some edge painting done!  These are certainly not your typical, cheaper business cards for sure, so I will be hoping on a good Return of Investment as I start to WoW people I will pass them out to!

Keeping in line with what we were taught in a recent workshop, I kept it simple, clean and classy by steering away from any temptation to do a card that included images.  Also, for the WoW! effect, I went with a square shape on thicker black museum mount with silver foil stamping and light gray edge painting (much of this thanks to Zida’s recommendation).

Needless to say, going with a classic black with the edge painting makes a statement!  So black that you won’t be able to write on it, and so classic and sturdy that even if you don’t book me, you’ll keep my card around for decoration!

The Wikipedia definition of MOXIE is: “courage, daring, and energy,”

I think this describes Jessica, her beautiful work, and her new business cards equally.

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