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Archive for the ‘Business Cards with Edge Painting’ Category

The great big “L” monogrammed  on Leo Druker‘s oversized letterpress printed business cards strikes as bold a statement as the Washington DC photographer makes with his work. Leo came to Studio Z Mendocino with his logo already designed. We conferred with him about the best materials to use, how to give the cards their majorest WoW factor possible and came up with these beauties.

Printed on a 2.5 x 4 inch sheet, and weighing in at 600 grams on super-thick Cranes Lettra luxurious stock, these are not cards to fool around with. They mean business. We printed them in two tones of charcoal gray ink, then, to put the upper cut into the already big punch, we edge painted them in the darker of the two grays. As Leo has told me several times in emails: they “are getting rave reviews from every person who looks and/or touches them.” Well, we are not surprised. They are stunning.

I wish you could feel them. Substantial. We love strong beauty and these are that.

If you really want to make an impression that lasts when you leave, you could not choose a better vehicle than cards like these. You will not be forgotten easily.

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The two most-asked questions I get from email inquiries are what you see in the title of this post. The answers depend on so many things that it’s almost impossible to pin it down. But I want to address these questions because having these cards is a kind of spendy proposition, and it takes more time than most printing, but it can be so worth it because the cards say such good things about you when you are out of earshot.They tell a big story about your talent, your attention to detail, your fabulous aesthetic and hipness quotient. They get more attention and they get more jobs. They are audacious and they are convincing. They are worth it, in other words.

As beautiful Lara Rios said the other day…”Everything goes up and nothing ever goes down.” That is too true. Paper costs have been out of sight the last couple of years. And we use such extra-special papers that it’s even truer for us.

So, what does it cost to get your hands on some of these fabulosity-drenched business cards? Let’s say you already have a logo that you love. Let’s say it is a two color design, which can translate to two ink colors or two foil colors or one of each.

If you get 1000 cards made up with two color runs, printed front and back, on super thick 600 gram Lettra or on even thicker black or colored Museum Mount, it will usually come in around $1100 or $1200. Adding a third color run will add about $225 to $250 for extra dies and printing to that price. Edge painting is additional too.

Yes, I know. It starts around one dollar per card, plus. If you think you would like to save money by getting fewer cards, it is something you need to think hard about because, in printing, it’s always “cheaper by the dozen.” I mean, cutting the quantity in half does NOT result in half the price. This is because the prepress things are in that price no matter if you get one or ten thousand. In the end, getting MORE cards actually saves money in the long run.

Five hundred of the same sort of card will not be $600, but will be more like $800+, so the unit price, in this case, goes up to $1.60 per card. This will make you really think hard about giving your cards away, which defies the whole concept of getting your name out there. So we recommend doing more than less, if you possibly can.

Now, the question of how long it will take: I have done cards in one day, in five days, and I have taken a YEAR to get cards out the door. This usually depends on the customer’s ability to make a decision and we were not working on the card every minute of that time. I promise.

We usually like to say it will take between two and half to four weeks, depending on what is lined up on our press schedule and what processes have to be done to the card, how long it takes to get paper and dies lined up and so forth. If they will be edge painted, that adds one and a half to two weeks to the timeline. Sorry this is so nebulous, but it is the truth. We can really go fast if everything is in place but sometimes it is not so super fast.

If you need a new logo, that too is not easy to pin down. Everything is custom, so we would need to talk about your needs before venturing an estimate. But we do logos and branding and websites here, too. Just ask.

I hope this is helpful and that you will call soon. 707 964 2522 We would love to work with you on your next business cards and stationery, your invitations or announcements, your website or branding.

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Enchanting Planting, a garden and landscape design company in Orinda, California, has been my customer for decades now. I designed their logo back in the 1980s and we all have really loved it through numerous reprintings. Recently they came to me for a reprint of their business cards and also needed new stationery and envelopes too.

Prepared to reprint with minimal changes — adding the URL and email address were all they wanted added — I sent some new paper samples down to them because their old paper had been discontinued from the mill. While I was at it I threw in a few other samples of business cards and other work we have been doing at the shop, just to let them in on what we have been up to recently, which, if you follow this blog, you know has been pretty thrilling.

Well, imagine my surprise when they called back completely gaga over everything, especially the very thick black cards with foil stamping. They didn’t even know anything like that existed in the world. WELL! You have to know how I love to bite into something like this. A complete updating of their look was in order all of a sudden, yet they did still lovethe motifs I had used initially, which you can see below.

This is, you know, a conversation. To redesign or design from scratch a new logo and branding requires some introspection…What do you love? What do you want to ditch? What’s different about what you are doing now as opposed to what you used to do when the first logo was created. What is the mood you want to set up with your cards? Who are your customers now? What are they like? What should the color palette be? Etc., etc….These questions guide the direction of the logo design process.

We chose to keep the happy image of the flower basket, but to put it on in a gleaming apple green foil. We chose to use thick, thick Museum Mount black paper instead of the former cream colored, much thinner stock, and to lose the jungle patterned border. I redesigned their logotype, too, using a more modern font. This, and the contact information, we stamped on in gold metallic foil. And I put the phone number is a swoopy, romantic type that calls to mind the movement and grace of leaves in a breezy garden. Then, the coup d’gras — EDGE PAINTING in the same apple green. Look:

It’s quite clear that there is NO garden design company in the world with cards that look anything like these. As distinctive and gorgeous as the work Enchanting Planting does all over the Bay Area, they now have business cards that set the stage for what they stand for and what they create in people’s homes and yards.

It’s so much fun to work with my clients, many of whom have been with me since I opened in 1984, and who feel like old friends to me. I’m always so happy to hear from them again and again over the years. They are clients AND friends. Makes my life very grand. Knowing they are proudly passing out the work we have done for them here at Studio Z Mendocino and helping them to get their names out in the most elegant, edgy, beautiful way…why does that give me such a thrill? But really, it does. I love them and I love the work we get to do for them, and they are excited and proud of their printed things…it’s such an interesting, engaging, creative relationship. How much better could it possibly get than this?

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Jessica Chapman of Brio Media wanted business cards with a very big WoW factor. Here are Jessica’s own words:

I absolutely had to do a quick post about my new business cards from Studio Z Mendocino!  Zida did such a wonderful job guiding me to finalize the design for the most “moxie,” getting them to print, and even getting some edge painting done!  These are certainly not your typical, cheaper business cards for sure, so I will be hoping on a good Return of Investment as I start to WoW people I will pass them out to!

Keeping in line with what we were taught in a recent workshop, I kept it simple, clean and classy by steering away from any temptation to do a card that included images.  Also, for the WoW! effect, I went with a square shape on thicker black museum mount with silver foil stamping and light gray edge painting (much of this thanks to Zida’s recommendation).

Needless to say, going with a classic black with the edge painting makes a statement!  So black that you won’t be able to write on it, and so classic and sturdy that even if you don’t book me, you’ll keep my card around for decoration!

The Wikipedia definition of MOXIE is: “courage, daring, and energy,”

I think this describes Jessica, her beautiful work, and her new business cards equally.

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Dallas photographer Lynette Johnson‘s business cards go so far beyond the beyond that it has taken me about a year finally to get them on my blog. They have EVERYTHING. Lynette specializes in photographing Southeast Asian weddings and her designers incorporated an updated Indian theme into her logo, website and blog. I wish I could claim credit for the logo work but I didn’t do it. I did work with her though to get the maximum WoW factor our of her business cards, which we produced here at Studio Z Mendocino. Her colors are a very spring-y green and deep navy blue. In order to do justice to this incredible design it was necessary to go a few extra miles in the production of her business cards.

The stylized, modern paisleys were stamped onto kiwi green paper in a pearlescent foil, then overprinted with her clever, dark blue ink “LynetteJ” logo. Put that aside now and imagine the other side… Well, actually, you don’t have to imagine it — here it is:

The contact information was letterpressed onto white paper. In order to get these two separate pieces of delicious paper to come together as a single business card it was necessary to send it across the continent to our edge painter’s shop back east. There, they sandwiched the two pieces of paper together, with an extra piece of chipboard between, to build them to the extra thickness we wanted, then edge painted them in the same, exact dark blue ink for a little flash/pop/WoW that conveniently disguised the sandwich along the edge.

Do they make some kind of explosive impact? mmm…hmmmm…

Do they represent the incredible and artistically iconoclastic work Lynette does? mmm…hmmm…

mmm…hmmm…you could not ask for anything more.

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EmmaRose Photography, in Nova Scotia, Canada, just got her new letterpress business cards done up by Studio Z Mendocino and is very, very happy about them. I am not even going to say anything in this post, actually, except that I totally LOVED getting to work with Emma Rose. She is a creative geyser and completely fun and adorable and energetic and a great photographer and mom. Sheesh. Here are her own words and her own incredible photographs (taken hours before the big show we got them to her in the nick of time for) of her own spellbinding business cards, designed by her own amazing self:

Hi Zida! I hope you got my voicemail yesterday thanking you from the bottom of my heart for these beautiful little pieces of artwork… I just couldn’t wait to photograph them and share the photos, my blog is up just now! Will send photos asap, hope to work with you again!!! xo Emma.

Hi Folks! Yes, I’ve been in blogging hiatus, but I’m back! I have been biting my nails in anticipation of this blog… thinking of how I will make these photos, when I would be able to blog about this event… my new business cards have arrived! Just in time for this year’s biggest wedding trade show in Halifax, Brides 2011, at the World Trade & Convention Centre. I think this is my 7th year at the show and I’ve got a completely new booth this year, one I’ve been planning all year…

OK, back to the business cards… I have to admit first of all that I’ve become a tiny bit obsessed with the work of Zida Borcich… she’s the owner one of the blogs I watch and more importantly a letterpress and design studio, Studio Z, in Mendocino California. “You watch a letterpress blog?” you say to yourself? It might sound a bit crazy, but I’m drawn to all kinds of art, and Zida’s work is so much more than printing, it’s ART. After I came across her website and blog I just HAD to have her do some cards for me. It’s been a journey, with my thrifty, controlling and perfectionist sides battling with the sides of me that want extravagant top-of-the-line things, and the sides of me that want to encourage other artists and allow them to do their work in the best, freest way possible. There was inner conflict, let me tell you! In the end I did the basic design and Zida lovingly tweaked it for me, gave me her opinion (thank goodness), and was one of those people I wished lived down the street so I could run in and hug her for this amazing art-on-paper that is the end result! Who knew you could do such lovely things with a sheet of paper. I can’t believe it’s just paper!

I hope you can see in the photos the texture of the paper, though, and how the two gray inks are pressed into it and how the pink O is pressed even deeper and coated in a foil so that it shimmers in the light like a jewel… *sigh* My heart was beating as I opened the box yesterday… just look at the pink painted edges, the thickness of the paper! Stunning work Zida, thank you so much for your patience with my questions, indecision and do-it-yourself attitude, haha! These are real show-stoppers!

xo Emma.

Wait: I said I wasn’t going to say anything but really, I must. Which is: we printed them on our favorite Cranes Lettra 600 gsm, super-luxurious, super-thick paper, on both sides, in two gray inks and this hot pink metallic foil. Then edge painted them in the same hot pink. They are so very very extra-ordinary! As you can obviously see.

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This is why I am in business: I get these incredibly talented clients; I get to work creatively with them on really fun, exciting projects; they come back for reprints and we get to connect all over again, over something even MORE creative and fun. Stephen Dohring is a case in point. A wonderful photographer from Tampa who had us do black Museum Mount business cards with silver foil the first time around. Now he wanted a different look, sort of a black-and-white different, and this is the result. Here in his own words is how he feels about the new cards, with their chic, understated, lightened up beauty:

This is my second investment in my cards with Zida and I am excited to hand them out. My first thick museum mount letterpress foil card was very unique in my area, wedding professionals would say things like “Oh you are giving me a stack” when it was only one card. or they would try and open it. Vendors at events would hear about my card and ask me for one. Of course I want people talking about my photography but when you network you can’t show your images, so giving them something to remember me by is the next best thing.

For my new cards I wanted them a bit more feminine with a softer feel and non-traditional shape.  I love the simplicity, the detail with the painted edge, and how the logo will look soft and elegant and then catch the light and pop with more impact. All of those are elements I like to see in my photography. My new cards are just one part of my branding that can say a lot for me all by themselves.  There is no way they will get lost in a pile of other cards and are unlikely to ever be thrown away.

Thanks Zida!

What more can I add to that? Thank you, Stephen. I absolutely adore how these came out. I think the lighter palette will appeal to brides and their moms even more than the black ones did, although they were also very amazing. These, though, printed on Cranes Lettra 600 gram paper, with gray ink and pearl foil are plainly The Bomb, as we used to say. Elegant, sexy, demure and commanding all at once.

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Newborn, Baby, Child, Maternity, Family photographer Angela Weedon, of Dallas, Texas, received her letterpress business cards from Studio Z Mendocino right before the holidays. She just sent me these beautiful shots of them, which, she says “are a hit!” We love the watery blue edge painting and the darling logo she brought to the project.

They are appealingly fresh, deeply impressed onto Cranes 600 gram white Lettra paper, which is made for letterpress especially, in the same soft aqua blue and medium gray inks.

The edge painting sends them right into the stratosphere for style, beauty and a surprise WoW factor.

This is the way to start the New Year: Branding that follows through visually as well as with the tactile flourish only letterpress printing imparts. Subtly three-dimensional, her new cards perfectly exemplify the artistry, quality and sensitivity with which Angela approaches her work and sweet little clients, and their families. You can see some of her beautiful work at weedonphoto.com

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What to Give Your Favorite Photographer for Christmas or Hanukkah: A Gift Certificate for Letterpress Business Cards from Studio Z!.

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We all know photographers are big Wanting Things. They want new lenses and backs, new programs and apps, they want chic cases and they want the latest and most extravagant everything. They all want STUFF all the time, I guess because there is SO MUCH STUFF TO WANT. It gets confusing, not to mention expensive, when you draw a photographer’s name for gift giving at this time of year. So, to make your coming few shopping weeks less hectic, may I humbly suggest you just call me up and order a beautifully letterpress-printed gift certificate, in a denomination you find most appropriate, for letterpress printed business cards. You know they’ve been ogling other photographers’ cards, just wanting away, like Kip Beelman’s fuchsia edged, super-thick square cards, designed by Ross Tanner and printed at Studio Z:

or Dana Goodson’s vibrant blue edged letterpress business cards AND stationery suite:

or dramatically fabulous Clark Bailey’s black and gold super thick museum mount cards with black gloss foil:

or Hiram Trillo’s big-sky-shiny-blue-foiled cards and stationery wardrobe:

You know she wants them. You know he has been yearning… Or maybe the photographer on your list has been hankering after a completely new brand. Like the ones I did for Alana Couch and Jonathan Chan and Maria Bernal — the sexy black ones with hot pink edge painting –  or Laura Gordon. You can apply a gift certificate to branding and/or printing, business cards and/or stationery, invitations and/or whatever. You can choose to make it for the whole job or just something they can apply toward the printing of their dreams.

From the most austere to over-the-top wild, a letterpress business card from Studio Z Mendocino, or a new logo design, can make a difference in the clients one attracts and the jobs one lands. Ask our clients this,  about what having jaw-dropping cards like the ones shown here has done for their businesses.

Here, for instance, are Florida photographer Audrey Snow’s pearl foil and chocolate ink ones:

And of course the gift certificate idea is not limited to photographers. Jennifer Chapman’s new brand and cards are an example of one of many “other” categories.

Lawyers and interior designers and Realtors want fabulous design and letterpress, letterpress, letterpress:

Well, you get the idea. A gift certificate in any amount from Studio Z Mendocino will put a smile on the face of just about anybody who’s in business on your list, and will help them get closer to their vision of passing out business cards that stop people in their tracks.

Call 707.964.2522 to order your specially printed gift certificate for a loved one…or for yourself! We ALL want stuff this time of year, don’t we? Tell somebody! Call Santa!

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